Posts Tagged movie

Nigeria ‘offended’ by sci-fi film

The film depicts aliens living in a South African shanty town

Nigeria’s government is asking cinemas to stop showing a science fiction film, District Nine, that it says denigrates the country’s image.

Information Minister Dora Akunyili told the BBC’s Network Africa programme that she had asked the makers of the film, Sony, for an apology.

She says the film portrays Nigerians as cannibals, criminals and prostitutes.

An actor from the film said that it was not just Nigerians who were portrayed as villains.

The Malawian actor, Eugene Khumbanyiwa, plays a gang leader with the nickname of Obasanjo, also the surname of former Nigerian President Olusegun Obasanjo.

The film is about alien refugees who set up home in a South African shanty town called District Nine.

It is a loose allegory about apartheid and recent violence by South Africans against foreigners.

It’s not like Nigerians do eat aliens

Actor Eugene Khumbanyiwa

Ms Akunyili said it clearly took aim at Nigerians.

“We feel very bad about this because the film clearly denigrated Nigeria’s image by portraying us as if we are cannibals, we are criminals,” she said.

“The name our former president was clearly spelt out as the head of the criminal gang and our ladies shown like prostitutes sleeping with extra-terrestrial beings.”

Soweto residents tell Jonah Fisher how the District 9 filmmakers hired them

‘It’s a story’

The information minister said she had ordered the Nigerian film and video censors’ board to ask all cinemas to stop showing the film and to confiscate it.

“I have also formally written to Sony Pictures Entertainment, the company that produced this film, demanding an unconditional apology for this unwarranted attack on Nigeria’s image,” she added.

She also said she had asked them to review the film with a view to remove “all offending portions that injured our image as a nation”.

Ms Akunyili said said Nigeria was now hitting back with a policy of “rebranding”, after allowing the international community to define the country based on the behaviour of “[a] few criminals”.

She said that Nigeria’s Nollywood film industry was also being pressed to help portray Nigeria in a better light.

But Mr Khumbanyiwa said Nigerians in the cast did not seem worried by the portrayal of their country.

He suggested that the film, which depicts people wanting to eat aliens to gain the superhuman powers, should not be taken too literally.

“It’s a story, you know,” he said. “It’s not like Nigerians do eat aliens. Aliens don’t even exist in the first place.”

via BBC NEWS | Africa | Nigeria ‘offended’ by sci-fi film.

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Review: The Age of Stupid Gets Smart on Enviropocalypse

Blurring the boundary between sci-fi and documentary, Franny Armstrong’s The Age of Stupid peers back in time from a climate crisis-wracked 2055 to lament our current inaction on the mother of all conflicts: The war on terra. The film premieres globally on Monday.

“We’re not at war at the moment,” explains Piers Guy, a British wind-farm developer who serves as one of The Age of Stupid’s compelling subjects. “But if people actually recognized the full implications of what’s happening to us, they would be treating it like a war.”

Armstrong’s docu-film isn’t shy about examining those implications. Beginning with the Big Bang, The Age of Stupid’s evocative CGI hurls toward 2055 at light-speed, only to find Earth’s once-mighty metropoles annihilated. From a drowned London to a buried Las Vegas and a burning Sydney, its dystopian imagery conjures up disturbing visions of humanity and hyperconsumption gone seriously awry.

That self-negating process is analyzed by The Archivist (Pete Postlethwaite), who has assembled a global digital archive in a forbidding tower in the melted Arctic. A brilliant actor, Postlethwaite brings restraint and sadness to his part, which is the only fictional role in the documentary experiment. The rest of the film is told by The Archivist’s digital materials, consisting of real footage and media feeds, as well as interviews with global-warming experts.

That includes Piers and his wife Lisa, who begin The Archivist’s flashback with a visit to French mountain guide Fernand Pareau. The wizened Pareau has witnessed the startling decline of Mont Blanc’s snowpack firsthand, and provides the film with its most poignant statement: “I think everyone in the future will probably blame us. We knew how to profit but not protect.”

Pareau, Piers and Lisa are joined by the film’s other subjects: Young Iraqi refugees Jamila and Adnan Bayyoud, Nigerian medical student Layefa Malemi, Indian airline entrepneur Jeh Wadia and Shell Oil paleontologist Alvin DuVernay, whose criticism of excessive consumption provided The Age of Stupid with its title.

These real-life players are quite moving. Jamila and Adnan Bayyoud witnessed their father’s murder during the U.S. invasion of Iraq and their resentment is lethal, as they sell used shoes on the streets of Jordan. Layefa Malemi struggles to survive in an ironically depressed Nigeria, the most oil-rich nation in Africa, while selling diesel on the black market and aiding villagers whose air and water have been irrevocably poisoned by Shell Oil’s gas flares and dumping. Shell’s DuVernay, who rescued more than 100 people in his native New Orleans during Hurricane Katrina, laments the ignorant waste of cheap oil while digging for more.

That waste is brought home by arresting animations on resource wars, global emissions and more, as well as decontextualized music like Depeche Mode electro-pop hit “Just Can’t Get Enough,” Dragnerve’s speed-metal anthem “A Life in Ashes” and Radiohead’s eerie “Reckoning.” By the time The Age of Stupid’s flashbacks are over and the viewer is stuck in a ravaged 2055, the urge to do something immediate is palpable and powerful.

Crowd-funded by a profit-sharing partnership comprising a mere 228 people and groups, including a hockey team and a women’s health center, who each invested portions of its £450,000 budget, The Age of Stupid is a destabilizing experience. Its Monday global opening is concurrent with United Nations Climate Week, although the film has already been screened by the Scottish, Welsh, Swedish, Dutch and U.K. parliaments, as well as the European Union and Obama’s think tank, the Center for American Progress. The result is a full-court press aimed at influencing nations to come to the U.N.’s 2009 climate change conference in Copenhagen with their heads and hearts in the right place.

Which is to say, a much better place than Earth, circa 2055.

Wired: Killer CGI, dystopian cli-fi, heart-wrenching footage

Tired: Glenn Beck clips, “These Boots are Made for Walking” cover

via Review: The Age of Stupid Gets Smart on Enviropocalypse | Underwire | Wired.com.

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Charles Darwin film ‘too controversial for religious America’ – Telegraph

A British film about Charles Darwin has failed to find a US distributor because his theory of evolution is too controversial for American audiences, according to its producer.

Creation, starring Paul Bettany, details Darwin’s “struggle between faith and reason” as he wrote On The Origin of Species. It depicts him as a man who loses faith in God following the death of his beloved 10-year-old daughter, Annie.

Creation: Review, background and the facts

The film was chosen to open the Toronto Film Festival and has its British premiere on Sunday. It has been sold in almost every territory around the world, from Australia to Scandinavia.

However, US distributors have resolutely passed on a film which will prove hugely divisive in a country where, according to a Gallup poll conducted in February, only 39 per cent of Americans believe in the theory of evolution.

Movieguide.org, an influential site which reviews films from a Christian perspective, described Darwin as the father of eugenics and denounced him as “a racist, a bigot and an 1800s naturalist whose legacy is mass murder”. His “half-baked theory” directly influenced Adolf Hitler and led to “atrocities, crimes against humanity, cloning and genetic engineering”, the site stated.

The film has sparked fierce debate on US Christian websites, with a typical comment dismissing evolution as “a silly theory with a serious lack of evidence to support it despite over a century of trying”.

Jeremy Thomas, the Oscar-winning producer of Creation, said he was astonished that such attitudes exist 150 years after On The Origin of Species was published.

“That’s what we’re up against. In 2009. It’s amazing,” he said.

“The film has no distributor in America. It has got a deal everywhere else in the world but in the US, and it’s because of what the film is about. People have been saying this is the best film they’ve seen all year, yet nobody in the US has picked it up.

“It is unbelievable to us that this is still a really hot potato in America. There’s still a great belief that He made the world in six days. It’s quite difficult for we in the UK to imagine religion in America. We live in a country which is no longer so religious. But in the US, outside of New York and LA, religion rules.

“Charles Darwin is, I suppose, the hero of the film. But we tried to make the film in a very even-handed way. Darwin wasn’t saying ‘kill all religion’, he never said such a thing, but he is a totem for people.”

Creation was developed by BBC Films and the UK Film Council, and stars Bettany’s real-life wife Jennifer Connelly as Darwin’s deeply religious wife, Emma. It is based on the book, Annie’s Box, by Darwin’s great-great-grandson, Randal Keynes, and portrays the naturalist as a family man tormented by the death in 1851 of Annie, his favourite child. She is played in the film by 10-year-old newcomer Martha West, the daughter of The Wire star Dominic West.

Early reviews have raved about the film. The Hollywood Reporter said: “It would be a great shame if those with religious convictions spurned the film out of hand as they will find it even-handed and wise.”

Mr Thomas, whose previous films include The Last Emperor and Merry Christmas Mr Lawrence, said he hoped the reviews would help to secure a distributor. In the UK, special screenings have been set up for Christian groups.

via Charles Darwin film ‘too controversial for religious America’ – Telegraph.

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