Posts Tagged film

Favourite Actors of all Time

Everyone has a list, but no one quite has their offical list that they keep on the fridge or anything.  Not a fan page, but people that do great work deserve a mention.  I would rent, buy or download anything by the following people.  This is my list…

  • Jack Lemmon
  • Walter Matthau
  • John Ritter
  • Zack Braff
  • Will Ferrell
  • Philip Seymour Hoffman
  • Paul Rudd
  • Natalie Portman
  • Clint Eastwood
  • Ken Foree
  • Peter Krause
  • Meg Ryan
  • Dustin Hoffman
  • Bruce Campbell
  • Topher Grace
  • Jason Segel
  • Robin Williams
  • Giovanni Ribisi

and on the other end of the list…

  • Anna Paquin
  • Winona Ryder
  • Sam Rockwell

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Best Christmas Movies of all time

The Bottom Line Christmas is a time of year for some great movie-watching, and this is a brief list of some of the best Christmas Movies and Specials of all time!

  • Christmas with the Kranks (2004) For the first time, Luther Krank (Tim Allen) and his wife Nora (Jamie Lee Curtis) are about to celebrate the holidays without their daughter Blair (Julie Gonzalo), who has just left for the Peace Corps in Peru. Luther sees a Caribbean cruise poster in a Chicago travel agency window, and he begins to plan the trip. First he must see how he will pay for the trip, so he comes up with an idea that if they skipped Christmas, they could go. He will save money by not buying a tree, having a party, or putting up decorations. The neighbors think he is crazy and want him to at least put Frosty the Snowman on his roof for the local decoration contest. The battle begins between the Kranks and their neighbors. Then Blair calls and tells her parents that she is flying home for Christmas with her fiancée. They have twenty-four hours to put up all the decorations and prepare for the Christmas party. The movie was based on a John Grisham book, ‘Skipping Christmas’.
  • National Lampoon’s Christmas Vacation (1989) Chevy Chase stars in this vehicle about the continuing story of the Griswold family. This time around they are celebrating a Christmas with all of their zany relatives at the Griswold home. When I first saw this movie, I found it to be one of the funniest movies I had ever seen, and even today, I will find myself laughing out loud to many of the scenes no matter how many times I have seen them before. Also starring Beverly D’Angelo, Juliette Lewis, and Randy Quaid Christmas Vacation will always be what I believe to be the funniest Christmas movie of all time. The Griswolds have been through two other funny vacation movies with Chase, that include Family Vacation (across the U.S.) and European Vacation. But, I find this one to be the funniest of the bunch, and definitely one that I will be watching for many more years.
  • How The Grinch Stole Christmas (1966) Now the story has been re-done a couple of times, even including a major motion picture starring Jim Carrey. Despite that, I find that the short made for television version of the story was the best one to date. Created in 1966, this was an animated feature based on the book by Dr. Suess. It covered the exploits of “The Grinch”, who had lost is spirit for Christmas over the years. His only goal in life now, is to rid the world of Christmas joy. In order to do this, he will attempt to remove all of the gifts and spirit from the small town of Whoville. The story is really well done, and appeals to a younger audience, but it is still one that I will watch if I ever come across it during the season. The animation was really pretty basic, but I still enjoy the story, and I still enjoy thinking back to the first time I saw it. It clocks it at only 26 minutes, but it still is able to pack a great little story into that time.
  • A Charlie Brown Christmas (1965) Charles Schulz brought his comic strip to life, by writing a made-for-television version of his Peanuts. A Charlie Brown Christmas was about his main character Charlie Brown, and what he and his friends go through one Christmas. This is another animated holiday special, but this one broke a lot of new ground when it was shown. The most important part, was that they used childrens voices in an industry that had been overwhelmed by adult actors playing the roles of the kids. In addition to that, there were biblical references in the story that helped talk about the real meaning of Christmas. Charlie Brown has been around for years, and will be around for many more years, but this was our first glimpse of him and his gang around the holidays. This is one that I own, and I think that it is one of the great stories that shows how children see and react to the true meaning of Christmas.
  • Deck the Halls (2006) This holiday comedy is centered around two neighbors in a small New England town who go to war when one of them decides to decorate his house with a so many Christmas lights that they are visible from space. The neighborhood is turned upside down as the families try to discover the true meaning of Christmas.
  • A Christmas Carol (1938) Another one of the Christmas stories that has been redone a thousand times, I like the original version the best. Some people like the newer Patrick Stewart version, and some even like Scrooged (with Bill Murray) as a great one in the remade versions. I however, really like the original, simply because it seems like it should be in black and white, and the story seems better placed in the past. A Christmas Carol was written by Charles Dickens, and tells the story of an old “scrooge” who wants nothing out of life but to make more money. He sacrifices his family and friends, and everyone that has ever loved him, in the pursuit of becoming richer. He is then visited by ghosts in his old age, attempting to show him the error of his ways, and hoping that he can go down a different path for his remaining days on Earth. It is another great story depicting the importance of being their for your fellow man on Christmas, and it does a great job of giving a scare while telling a deep story. Charles Dickens “A Christmas Carol” will always remain one of the most famous, and most well loved of Christmas stories.
  • A Christmas Story (1983) In a break from the traditional holiday movies, A Christmas Story is a movie told almost entirely from the mind of a young boy during the 1940′s. His voice is the narrator of the movie, as we see him go through the days leading up to Christmas, and ultimately Christmas day itself. The story is from the point of view of this kid, as he goes through his daily routine, hanging out with friends, running from bullies, and meeting Santa at the big mall. It is depicted as an average American family in the middle of an Indiana Winter, and really does a great job of showing the excitement of the season. From wanting a Red Rider BB gun, to standing in front of the toy store windows, to even having to eat Christmas Dinner out, this movie does a great job of putting a thousand little things into one movie. Being from a child’s point of view, the film shows the true innocence of the season, and is one that I watch every year on TNT or TBS.
  • When Harry Met Sally (1989) Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: “Can a man and a woman be friends, without sex getting in the way?”
  • It’s A Wonderful Life (1946) The essential film when it comes to Christmas, It’s A Wonderful Life is a story about a man going through some hard times, and makes the wish that he had never been born. Feeling that the world would be better off without him, he wants to remove the pain of everyone around him, by removing himself. For a short time, and angel grants him his wish, and the chance to see what life would be like if he really had never been born. Frank Capra directs, and Jimmy Stewart stars as George Bailey, a family man, who has come across some tough times. The movie is really about hope, and the thought that everyone has something to offer, no matter how small we may feel we are in the scheme of things. The film attempts to show just how much one man can change the lives of everyone around him, and gives us the feeling that even the smallest of deeds can turn into the biggest of deals for someone else. It’s A Wonderful Life if a classic Christmas film that has made some lists as one of the best movies ever made.
  • Miracle on 34th Street (1947) Is there really a Santa Clause? You bet there is, and this is the film that proves it! Another one of the classic films about Christmas, A Miracle on 34th Street surrounds a man who claims to be none other than Kris Kringle himself. Of course nobody believes him, and it is up to a lawyer and a little girl who must set aside their logical thinking just long enough to have faith that this man could really be THE Santa Clause. Edmund Gwenn as Kringle exemplifies everything we have ever associated with what Santa Clause would look like. He fits the part, and from the start of the movie, you want to believe that it is really him, but you have no proof to go along with your assumptions. It is one mans word, and we are taken through legal proceedings where he must prove who he is, or be deemed insane by the state. It is really a great story about the opinions that people have, and whether or not we are willing to believe something we can’t see or prove for ourselves. Miracle on 34th Street is one that should not be missed if you haven’t seen it yet.
  • The Santa Clause (1994) When something happens to Santa Clause, Tim Allen’s character must step in and take over the role in order to make sure that Christmas can continue. Not really accepting the role, and not looking anything like Santa Clause, leaves the man with a lot of doubt about his beliefs or anything he associates with the holiday. But slowly, he starts growing the beard and the belly, and soon enough he looks just like Santa Clause! Though the reason he takes over is a little dark for a movie like this, The Santa Clause does a great job of bringing a lot of humor to the topic of Christmas and everything it entails. The job of delivering presents to all of the children of the world over one night is not as easy as it seems, and for one man, that task has become his sole responsibility. This film is hilarious at times, and was done well enough to have a sequel 8 years later. The Santa Clause is another one of those Christmas movies that should not be missed. When it isn’t funny, it is heartfelt and sincere, and truly is one of the better family movies of recent years.
  • Home Alone (1990) When it hit theaters in 1990, nobody thought that Home Alone would turn out to be one of the most successful movies of all time. Home Alone is about a huge family that is going on a Christmas vacation with a truck load of kids. Unfortunately, on the morning of the trip, everyone wakes up late and ends up rushing around to try and make it to the airport on time. One of the kids (Kevin) is left behind, and when he awakes, he finds that he has a mansion size house all to himself. He had been mad at his whole family, and found himself happy to be left alone. Now he must run an entire house, and defend it against thieves who are attempting to rob his family. Through it all, he comes to realize how important his family really is to him, and he learns some valuable lessons about life and the love for the people he holds most dear. Home Alone is another one of those great family movies that puts a lot of humor into everyday events. I found it to be a great film back then, and even though I have aged a little since its release, I still find myself watching it when it comes on now.
  • Frosty The Snowman (1969) Another of the great holiday animations, Frosty The Snowman tells the tale of a magical top-hat, that when applied to the head of a snowman, brings him to life. Named Frosty, this man made of snow shows the children of a small town everything great that the Christmas season has to offer. Though it comes it at less than half an hour, this Christmas Special really does a good job of presenting many different emotions in that short amount of time. You find yourself laughing out loud as he marches through town, and even sad at the thought that someone could keep Frosty from having his snowy fun. It is a far-fetched story if we are going to look at it honestly, but it is fun to watch, and it is endearing in everything that it presents. The best part though, is the theme song of Frosty, which is something I always end up singing during the Christmas season. Frosty The Snowman is one of the great animations that came out of the 60′s around Christmas time, and still has a place in my home movie collection.

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Manhattan Shorts: a Mixed Bag Worth Seeing

Skihizein

Short films seldom hit theaters, which means many movie-goers don’t give them a thought till they hear the nominees in that category read at the Oscars. Even then, we may assume they’re just glorified film-school assignments. But the animated flick 9 got its start as an acclaimed short … so, for that matter, did the recent sci-fi hit District 9.

Not all the 10 finalists in the Manhattan Short Film Festival, which starts at Merrill’s Roxy this Friday, would benefit from a longer running time or a bigger budget. But the competitive festival, which screens simultaneously in 173 cities on five continents, is a great way to get a sense of how much a skilled filmmaker can convey in a quarter hour.

With entrants from 36 nations (428 entries in all) and finalists from nine, the 12th annual MSFF is pretty damn diverse, and that’s a good thing. A few of the films are more well-intentioned essays than great works of cinema — take the American entry, Julius Onah’s “The Boundary,” in which a family of Middle Eastern descent falls victim to racial profiling during a border crossing. Despite a fine performance by Alexander Siddig (of “Deep Space Nine” and Syriana), it’s more predictable than it needs to be.

A more involving — if sometimes overwrought — think piece is Spanish director Isabel de Ocampo’s “Miente,” whose main character is a Bulgarian girl forced into prostitution in Madrid. “Mozambique,” shot and directed by a 16-year-old AIDS orphan living in that country (with help from American professionals) is a simple, affecting documentary.

But perhaps the most powerful social commentary in the fest is the most minimalist. “Lashabiya” reenacts the confrontations in Gaza allegorically, as a potentially lethal spin on the children’s “Red Light/Green Light” game. Directed by Israeli Yehezkel Lazarov, who calls himself “not a political guy,” it makes its point in six minutes with no speechifying.

Just as powerful, if more fanciful, is the French animation “Skhizein”, the Kafkaesque story of a man whose encounter with a meteorite alienates him from himself … literally. It plays like The Triplets of Belleville crossed with a Charlie Kaufman film.

This year’s MSFF is about evenly split between earnest realism and playful surrealism, and the alternation keeps viewers from getting bored. In the inspired Australian short “Plastic,” a blend of live action and computer animation from Sandy Widyanata, a woman dressing for a date suddenly acquires the ability to mold her own body as if it were Silly Putty. Jorge Molina’s film “Parking,” set entirely in a garage, portrays a modern businessman suffering from the effects of, shall we say, chronic stress. In press material, the director claims the lead actor got so paranoid during shooting he had to be rugby-tackled, and it’s not hard to see why.

On a gentler note, the last three films explore the world through the eyes of children. Sweden’s “Love Child” focuses on an expressive 5-year-old who finds herself neglected when her parents get a new bundle of love (not the kind you’d think). “Hammerhead,” from the UK, tells a well-worn divorce story enlivened by a ferociously scowling, determinedly uncute little boy with a shark fixation.

Finally, there’s one film that’s pure joy to look at: Martina Amati’s “A’Mare,” which the Italian director shot on and often in the Mediterranean. The simple tale of two preteen fishermen who take their boat out too far and make an unexpected discovery, it transports audiences to the volcanic Aeolian Islands off Sicily, where Michelangelo Antonioni shot L’Avventura. The two actors — island natives — are natural, but the film is really about light, water and the semi-hypnotic states induced by life on the open sea.

It’s not easy to pick your favorite from such a diverse slate of films, but that’s what MSFF audiences are asked to do — everyone who buys a ticket, from Beijing to Belgrade to Burlington, gets a ballot to turn in after the show. Last year, the winning film — “New Boy” from the UK — ended up with an Oscar nomination.

That was also the fest’s first year in Burlington. “The areas where this seems to be thriving are college towns,” New York-based fest founder Nicholas Mason told Seven Days last year, explaining why he brought the MSFF north (Brattleboro was its first Vermont location). For his part, Roxy owner Merrill Jarvis III was happy to have it back: “It did so well last year at the Roxy that I wanted to play it for a second week,” he says.

The finalists for 2009

via Manhattan Shorts: a Mixed Bag Worth Seeing | Seven Days.

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Nigeria ‘offended’ by sci-fi film

The film depicts aliens living in a South African shanty town

Nigeria’s government is asking cinemas to stop showing a science fiction film, District Nine, that it says denigrates the country’s image.

Information Minister Dora Akunyili told the BBC’s Network Africa programme that she had asked the makers of the film, Sony, for an apology.

She says the film portrays Nigerians as cannibals, criminals and prostitutes.

An actor from the film said that it was not just Nigerians who were portrayed as villains.

The Malawian actor, Eugene Khumbanyiwa, plays a gang leader with the nickname of Obasanjo, also the surname of former Nigerian President Olusegun Obasanjo.

The film is about alien refugees who set up home in a South African shanty town called District Nine.

It is a loose allegory about apartheid and recent violence by South Africans against foreigners.

It’s not like Nigerians do eat aliens

Actor Eugene Khumbanyiwa

Ms Akunyili said it clearly took aim at Nigerians.

“We feel very bad about this because the film clearly denigrated Nigeria’s image by portraying us as if we are cannibals, we are criminals,” she said.

“The name our former president was clearly spelt out as the head of the criminal gang and our ladies shown like prostitutes sleeping with extra-terrestrial beings.”

Soweto residents tell Jonah Fisher how the District 9 filmmakers hired them

‘It’s a story’

The information minister said she had ordered the Nigerian film and video censors’ board to ask all cinemas to stop showing the film and to confiscate it.

“I have also formally written to Sony Pictures Entertainment, the company that produced this film, demanding an unconditional apology for this unwarranted attack on Nigeria’s image,” she added.

She also said she had asked them to review the film with a view to remove “all offending portions that injured our image as a nation”.

Ms Akunyili said said Nigeria was now hitting back with a policy of “rebranding”, after allowing the international community to define the country based on the behaviour of “[a] few criminals”.

She said that Nigeria’s Nollywood film industry was also being pressed to help portray Nigeria in a better light.

But Mr Khumbanyiwa said Nigerians in the cast did not seem worried by the portrayal of their country.

He suggested that the film, which depicts people wanting to eat aliens to gain the superhuman powers, should not be taken too literally.

“It’s a story, you know,” he said. “It’s not like Nigerians do eat aliens. Aliens don’t even exist in the first place.”

via BBC NEWS | Africa | Nigeria ‘offended’ by sci-fi film.

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Review: The Age of Stupid Gets Smart on Enviropocalypse

Blurring the boundary between sci-fi and documentary, Franny Armstrong’s The Age of Stupid peers back in time from a climate crisis-wracked 2055 to lament our current inaction on the mother of all conflicts: The war on terra. The film premieres globally on Monday.

“We’re not at war at the moment,” explains Piers Guy, a British wind-farm developer who serves as one of The Age of Stupid’s compelling subjects. “But if people actually recognized the full implications of what’s happening to us, they would be treating it like a war.”

Armstrong’s docu-film isn’t shy about examining those implications. Beginning with the Big Bang, The Age of Stupid’s evocative CGI hurls toward 2055 at light-speed, only to find Earth’s once-mighty metropoles annihilated. From a drowned London to a buried Las Vegas and a burning Sydney, its dystopian imagery conjures up disturbing visions of humanity and hyperconsumption gone seriously awry.

That self-negating process is analyzed by The Archivist (Pete Postlethwaite), who has assembled a global digital archive in a forbidding tower in the melted Arctic. A brilliant actor, Postlethwaite brings restraint and sadness to his part, which is the only fictional role in the documentary experiment. The rest of the film is told by The Archivist’s digital materials, consisting of real footage and media feeds, as well as interviews with global-warming experts.

That includes Piers and his wife Lisa, who begin The Archivist’s flashback with a visit to French mountain guide Fernand Pareau. The wizened Pareau has witnessed the startling decline of Mont Blanc’s snowpack firsthand, and provides the film with its most poignant statement: “I think everyone in the future will probably blame us. We knew how to profit but not protect.”

Pareau, Piers and Lisa are joined by the film’s other subjects: Young Iraqi refugees Jamila and Adnan Bayyoud, Nigerian medical student Layefa Malemi, Indian airline entrepneur Jeh Wadia and Shell Oil paleontologist Alvin DuVernay, whose criticism of excessive consumption provided The Age of Stupid with its title.

These real-life players are quite moving. Jamila and Adnan Bayyoud witnessed their father’s murder during the U.S. invasion of Iraq and their resentment is lethal, as they sell used shoes on the streets of Jordan. Layefa Malemi struggles to survive in an ironically depressed Nigeria, the most oil-rich nation in Africa, while selling diesel on the black market and aiding villagers whose air and water have been irrevocably poisoned by Shell Oil’s gas flares and dumping. Shell’s DuVernay, who rescued more than 100 people in his native New Orleans during Hurricane Katrina, laments the ignorant waste of cheap oil while digging for more.

That waste is brought home by arresting animations on resource wars, global emissions and more, as well as decontextualized music like Depeche Mode electro-pop hit “Just Can’t Get Enough,” Dragnerve’s speed-metal anthem “A Life in Ashes” and Radiohead’s eerie “Reckoning.” By the time The Age of Stupid’s flashbacks are over and the viewer is stuck in a ravaged 2055, the urge to do something immediate is palpable and powerful.

Crowd-funded by a profit-sharing partnership comprising a mere 228 people and groups, including a hockey team and a women’s health center, who each invested portions of its £450,000 budget, The Age of Stupid is a destabilizing experience. Its Monday global opening is concurrent with United Nations Climate Week, although the film has already been screened by the Scottish, Welsh, Swedish, Dutch and U.K. parliaments, as well as the European Union and Obama’s think tank, the Center for American Progress. The result is a full-court press aimed at influencing nations to come to the U.N.’s 2009 climate change conference in Copenhagen with their heads and hearts in the right place.

Which is to say, a much better place than Earth, circa 2055.

Wired: Killer CGI, dystopian cli-fi, heart-wrenching footage

Tired: Glenn Beck clips, “These Boots are Made for Walking” cover

via Review: The Age of Stupid Gets Smart on Enviropocalypse | Underwire | Wired.com.

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